Beginnings are an interesting beast, and what I find fascinating is that so many writers start their first stories the same way, like there’s some instinctual drive to do so. Like we were all taught to do so, even though most of the time they are a terrible, terrible mistake.

Let’s take the dream sequence. Dream sequences, in and of themselves, are not bad. Done right, they can convey information, tension, foreshadowing, etc. Some people can even pull off starting a novel or short story with a dream sequence.

However, most people can’t, and the problem isn’t even necessarily the dream sequence, but how it ties in with the rest of the story.

See, the typical dream sequence beginning goes something like this: Main character has a dream, where they either remember something that has recently happened that is interesting, or they has some sort of cryptic dream that hints interesting things are to come.

Main character then wakes up, goes to the bathroom (generally takes a shower, though brushing teeth is common as well), and any conflict or tension that was built up during the dream is immediately lost. The story doesn’t try to build off of it, and so everything just collapses into boring mediocrity.

There’s a bigger issue with the remembering something that has just happened kind. Why not start with that event? Why tell about it after the fact instead of showing it in action, especially if it’s something major, something that rocks the character’s world, something that starts the main plot?

But sometimes it doesn’t do any of those things–it’s just a one-off, something to hook people in right at the beginning, that doesn’t actually have anything to do with the main plot or the goals of the main character. That’s got a whole heap of other problems tied to it.

Beginnings are hard–they have to hook the reader, set up your MC and his/her world, and be relevant to your plot and your MC’s character arc. Getting that balance just right is a skill that generally takes a lot of cultivating.

If you’re starting with a dream sequence, ask yourself the following questions:

  • What am I hoping to show about my plot/character with this sequence?
  • Could this information be better conveyed in another way?
  • Does the content of this dream sequence directly tie in to and influence the main plot of my story?
  • Am I managing to keep the tension up once my character wakes up?

What do you think, Squiders? Do you have any examples of a starting dream sequence done right? Have you run into this issue in your own writing (or even professional writing) in the past?

Beginning Problems: The Dream Sequence
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Books by Kit Campbell

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Shards cover
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