Okay, squiders! Let’s dig into outlines.
What is an outline?
In the most basic terms, an outline is a plan you make before you begin a story.
You’re probably familiar with the form they teach you back in elementary school (five paragraphs, intro, three body paragraphs–strong, weak, strongest–and a conclusion), with the alternating letters and Roman numerals.
This is indeed an outline–and you’ll see something similar if you go into an outline mode in any word processing software–but that’s only one type of outline, and really more of a style than anything else.
(If you are writing a technical or nonfiction document that requires an outline, this is what you’ll want to include. But fiction works differently.)
You’re welcome to use that if it works for you, but, seriously, an outline is just a plan. Any plan. And how much, and what’s included varies person to person and story to story.
Some people pick a main character and a starting situation and jump feet first into the actual writing. Other people write hundreds of pages, outlining dialogue, characters, theme, arcs, plot points, relative word count, etc.
Most people fall somewhere in the middle.
Some people jot down a few ideas on a napkin. Others use Scrivener, or Word.
But basically, you need something to start writing a story. And whatever that something is is part of your outline. You may not call it that. It may not feel like that. But it is, nonetheless, essentially an outline. Even without the indents and Roman numerals.
Plotter vs. Pantser
If you’ve been around writing communities, you’ve probably heard the terms “plotter” and “panster.” A pantser is a writer who write by the seat of their pants. They require very little starting information before they jump into a story. A plotter is a writer who painstaking plots everything out before they begin writing.
(NOTE: It is interesting to note that a pantser may still have an outline for a story. It won’t be a “this happens, then this happens” sort, but they may still flesh out characters, world, theme, and general arcs in a less official format.)
Most writers fall somewhere in the middle of the spectrum. Some may pants some types of projects but prefer to outline others. And those writers that do outline may do different levels for a short story versus a novel, or between one genre and another.
In my experience, most writers start off as pantsers and move toward plotters as their careers progress. This is not always true; Stephen King famously does not outline, and neither does John Scalzi, as examples.
How do I know how much outline I need?
You’re not going to like this answer, but–experience. As you write more, you try new things, and you learn what works for you and what makes you want to jump out a window. And eventually you find a process that works best for you (or maybe a few, if you write multiple lengths/genres).
If you’re just starting out, however, next week we’ll talk about how to get started with outlining, and how to try out different levels of outlining to find a good starting place. You’re not going to find your perfect outlining process on the first time out, but you can probably triangulate an amount of information that will work, even if it’s not perfect.
Any thoughts on outline basics, squiders? Agree that your outline is essentially your plan, whether you call it an outline or not?