First of all, squiders, I apologize for disappearing off the grid. Normally when I go out of town I pre-write and schedule the posts, but we took a spontaneous trip last week and I didn’t have time to get things ready before we left. So then I thought I’d just write them on the trip; surely I’d have some time in the evenings or the mornings to get things done.
Also, one of the small, mobile ones broke her collarbone in the middle of the night in the middle of nowhere, so that was a thing.
Albuquerque is nice, though.
This week we’re going to start on our next nonfiction subject, which is finding ideas and inspiration when you need them. Before we dive into that, though, I wanted to let you know that I’ve got a story in the new (for people reading this in the future, fourth) issue of Spirit’s Tincture, which is a speculative fiction magazine specializing in poetry and short fiction. You can read it for free online. My story, Mother’s Love, is the last one in the issue. 😀
Anyway, diving into ideas. A lot of creative types seem to think that inspiration and ideas need to be organic, that you need to be walking down the street, minding your own business, and have the idea fall out of the sky into your head in a brilliant rush of creative energy, fully formed and ready to be used.
Ah, if only that worked. And if only it worked on command, when you wanted/needed it to. And if only it was a complete, usable idea every time.
Don’t get me wrong–when it happens, it’s great. And while how much inspiration you need varies on what your creative goals are, the fact of the matter is that if you wait for inspiration to strike from on high, you may find yourself lost and desperate, staring at a blank page with nothing coming.
No creator is an island–everyone is influenced and draws from different sources they have been exposed to, both consciously and subconsciously. If you want to consistently put out new works, if you want to be reliable when someone asks you to contribute to an anthology or a collection, then there may be days when you need to go looking for ideas and inspiration rather than waiting for them to come to you.
The other issue is that you might get an idea, but something is missing. You have a plot, but the main character is a blank. You have a character, but the world is nothing but mist. You have a basic outline, but the story is lacking in complexity. Being able to find things to flesh out your work, to make it better, is an asset in the long run.
Being able to find an idea when necessary can be helpful for more than just a single work at a time–it can also improve your craft overall. Trying out new things can help your writing muscles to stretch and grow. It can help you add new aspects to your work so that not everything sounds the same. It can help you find ways to get around writer’s block and push your boundaries.
The question shouldn’t be “Why should I go looking for writing ideas?” The question is “Why wouldn’t I?”
Once you know how to look, you can find things you can use everywhere. You can train your brain. I get a little chill down my spine every time something catches the “muse’s” interest, something I’ve come to recognize over the years. And by keeping track of your ideas, you should be able to find something you can use, no matter what the situation is.
Heck, I once wrote a murder mystery starring billiard balls at someone’s request.
On Thursday we’ll start looking at places to find ideas as well as ways to organize what you have found so you can use it later.
Questions, Squiders? Anything you’d like to add?